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Most brushes have too long a “hair length” from the ferrule for painting miniatures, and most watercolour brushes have so much carrying capacity that they obscure the view of the...
We always recommend removing masking fluid as soon as possible and it should not be left on the piece for longer than 12 hours. The only recommendation if left on...
Yes, blending medium is water-based. It is also slows drying and maximises the working time of your watercolours, allowing you to achieve smoother blends. Use the Blending Medium to work...
Repeatedly using a brush to apply Art Masking Fluid will damage the brush over time. Although some artists swear by vaseline, soap or petrol, our tests do not show any...
Do you want the freedom to apply broad colour washes across your painting surface, without the wash covering key details within a composition? Here’s where learning how to apply Art Masking Fluid comes in.
Winsor & Newton Granulation Medium enhances granulated texture. It gives a mottled appearance to colours that normally have a smooth wash, or it can enhance the effect of granulating colours. This...
Masking fluid is the best way to mask a painting; any area, no matter how delicate, will be protected from subsequent layers of colour with masking fluid. Then, when the paint...
Lifting is not just the watercolourist’s answer to an eraser. It’s a widely-used technique for portraying smoky atmospheres, cloudy skies and other such effects. But from gently sponging out a...
There are three main factors to be aware of when it comes to controlling the level of granulation in your watercolour scene: medium, paper colour.
A useful method for checking where a certain colour lies on the granulation spectrum involves wetting your paper and adding some colour on top. Gently rock the paper back and...
The difference between gouache and watercolour whites is the amount of pigment in the paint. Gouache is more opaque, which is why it is used for block colour. The two mediums are intermixable. Gouache...
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